ON THE MOVE
The ultimate listening experience. Highly detailed and precise sound representation, wirelessly transmitted in HD 24-bit quality, and ultra soft over-ear cushions with Alcantara and memory foam.
Vibrant and powerful sound representation. Comfortable over-ear cushions and high quality wireless audio via Bluetooth 5.0 makes it the ideal choice for long listening sessions.
Balanced sound representation suitable for all genres. With high-end Bluetooth 5.0 audio transmission and 20-hour playback time it's the ideal choice for wireless listening on-the-go or at home.
Balanced sound representation suitable for all genres. With a slim and lightweight profile it's the ideal choice for listening on-the-go or at home.
Scottish producer Rodaidh Mcdonald currently works for the legendary XL Recordings where he’s been at the helm of some pretty remarkable records. Ranging from the quiet intensity of Daughter’s ‘If You Leave’ and Savages’ manifest-like debut ‘Silence Yourself’ to King Krule’s critically acclaimed ‘6 Feet Benath the Moon' and The XX’s world-shaking self-titled album Rodaidh’s unique sonic touch permeates a sizable piece of contemporary music’s cutting edge.
Here’s a little history lesson for those under the age of 20: During the 2000s, Ed Banger Records, helmed by the diligent and aptly named Busy P, were lighting up dance floors across the world with their neon-tinted, funk-filled, distorted take on the proud, French, electronic music tradition through acts like Justice, Mr. Oizo and DJ Mehdi.
"The Anna Wintour of Music" - Benji B started his climb to success earlier than most of his peers in the industry. His first step was landing a job with legendary radio DJ Gilles Peterson on Kiss FM at just 16. From there it wasn’t long until he had his own show on BBC Radio 1Xtra. Today Benji holds down a weekly slot on Radio 1 using the platform to introduce listeners to underground electronic music from around the world.
There’s isn’t really much Trevor Jackson hasn’t done. A respected remixer selector and graphic designer the London-based creative and former boss of the legendary Output label is constantly finding new remarkable ways of expressing his arresting artistic vision. Whether it’s exhibitions that romanticize physical music mediums in poignant new ways or record sleeves that effortlessly articulate the spirit of rock ‘n roll Trevor is forever one step ahead of the game.
When Simon Green first burst onto the scene in 2000 with the ‘Animal Magic’ LP it was a time when words like ‘downtempo’ were frequently thrown about by music journalists and experimental turntablism and crate-dug samples were all the rage among producers. While Bonobo’s immediately recognizable sound has always been indebted to these traditions it has also matured over time into favouring the organic unpredictability of live instrumentation over the post-modern collage of sampling.
I’ve dealt with my share of AIAIAI’s and can personally attest to their quality build and sound.
I liked that the TMA-2 system got me away from compromise - rather than finding the best fit I could actually look for the right fit.
AIAIAI has honed in on one of the most significant cultural trends in the world of music production - namely, the move towards modularity, customization, and upgradability.
The TMA-2s can be easily customized in configurations ranging from sub-$150 cans perfect for Beats lovers who want to step up their audio game, all the way to $250+ monitors aimed at pros.